Blogs

Notes from France Posted on Monday, December 5th, 2011 at 5:37 am by Dr. Vasumathi Badrinathan

The sun shone pleasantly in France, surprisingly for the month of November. The incredible Stanislas Square in Nancy in the north east of France, was bustling as the sun rejuvenated minds and hearts and lent an inexplicable lightness and happy feeling to all. Around the august statue of the Duke Stanislas that overlooked the square, were impressive flower beds in the form of musical instruments and aptly named Melody Square. Below the duke’s statue, a young music group was getting ready to set the square on the musical groove. The entire scene was one of light heartedness, joy, abandon all around the colourful floral musical instruments. I couldn’t but be reminded of Tyagaraja’s supreme bliss, Brahmanandam through music as he visualized it in his Nadaloludai when I beheld this phenomenon fuelled both by music and the sun’s nourishing luminosity all at once. One of the highlights of my trip was the interactive talk on Carnatic music for the students and professors of musicology at the University of Nancy. It was supposedly a public that was new to Carnatic music. I was told that it would be unlikely that I would have questions as the audience was usually reticent. It seemed like a challenging situation and decided to take it as it came. The hall was full to its maximum capacity. Some articles on understanding Carnatic music that I had prepared were neatly handed over to every member of the audience in a beautiful folder that announced Le Parnas

read more »

Big Screen Towards The Past Posted on Monday, December 5th, 2011 at 5:37 am by Dr. Vasumathi Badrinathan

Article Courtesy Asian Age


I went last week to watch Bal Gandharva, the film, with my daughter. As we waited for the theatre doors to open, there was a swarm of people waiting as well. Surely, for some Bollywood hit that must be happening, we thought. To our utmost surprise all the crowd walked right in to watch the same film!


I was truly surprised that the many different movies running in the multiplex took a beating that evening and that a film on a singer, a theatre artiste should draw such an audience. Although monotonous in parts and lacking at times the sensitivity that the treatment of such a subject demanded, the film in Marathi, took us through the life of this prodigious artiste. Bal Gandharva, rechristened thus by Lokmanya Tilak, for his immense virtuosity even as a child, shone in his musicals. He impersonated feminine roles impeccably in nineteenth and early twentieth century India when women did not yet have the freedom to work in theatre. He embodied his female roles in a fascinating way, blending himself in perfect oneness with the character portrayed. He put cause before self and simultaneously constructed his performing glory and his personal ruin. There were many old-timers who had come to watch the film and amongst them many youngsters. One mother confided that for her teenage daughters who had never heard of Bal Gandharva, this was a wonderful window. The delightful tradition of sangeet naty

read more »